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#Gv canopus procoder 3 full crack windows

I know when it comes down to it CrunchBang will out preform Windows when it comes to resource usage. Now I've mastered a good chunck of editing with tons of different programs in windows, but as the titles says is CrunchBang good for video editing? I do a ton of video related task from, Webcast, tech tutorials, and unboxing reviews for electronics. Now the one thing I spend quite a bit of time doing which is Video Editing. It took me a while to get audio production down running CruchBang but I got it going smoothly! The quality of its output is superb and its versatility is sure to be a blessing to the majority of working pros running Windows-based systems.For a few years now I would say that hands down at least 50% of the time I spend on a computer I use Linux, mostly CrunchBang. ProCoder isn't the most exciting program in the world, but it is one of the most useful.

ProCoder 3 delivered much nicer results in our opinion. We had opted for two-pass variable bitrate encoding and hadn't bothered pre-rendering any of the titles or transitions applied in Premiere Pro, but the task was completed in just under eight hours - very close to the time taken by Adobe's own Media Encoder. On a 3GHz Intel dual-core system with 2GB RAM, we crunched a 97-minute HDV project directly from Premiere Pro's timeline as a mastering quality DVD-compliant MPEG file with AC3 audio.

#Gv canopus procoder 3 full crack software

And while the software works well stand-alone, it's also a dream to use as a plug-in.Īs we'd expect, ProCoder 3 integrates very neatly into the export options of Edius 4.5, but it also serves as a seamless export tool in Premiere Pro.Įncoding speeds are determined by the output formats chosen, effects added, quality requirements and the speed of the host system, but we weren't disappointed by ProCoder's performance.

#Gv canopus procoder 3 full crack manual

Multiple ProCoder sessions are easily queued for unattended processing, allowing it to be left overnight or over weekends without the need for any manual intervention.

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The level of control is quite vast, and while most novices will stick with ProCoder's ready-made profiles, more experienced movie makers will be more than glad of the in-depth control and easy-to-follow presentation. Audio channel mixing is also available at this stage too, enabling stereo, 5.1 or even 7.1 surround sound configurations.ĭepending on the requirements of your target formats, ProCoder also allows control over bitrate, frame size, frame rate and audio formats. Templates for HDV-compliant MPEG2 are also much more intuitive.Īs with source footage, video and audio filters can be applied to target media formats, allowing you to grade footage slightly differently for each distribution method if need be - and also to sharpen, crop and deinterlace for streaming video delivery while leaving higher quality encodes alone. Other newly supported output formats include H.264 and iPod-compatible MPEG4, as well as HDMA4000 video. The list is quite comprehensive, although we're disappointed to see that Dolby AC3 isn't available for audio-only conversion.ĪC3 is available when encoding video to elementary streams for DVD authoring, however. Output formats for encoding Targets are organised according to their application - such as DVD authoring, web streaming, editing or storage. Besides saving time, applying filters at this stage is also useful if you have multiple source files and a standard set of filters won't be appropriate for them all.Īudio filters are more scarce, with only five basic options including fades, normalisation and lowpass filters, but ProCoder 3 does now provide a sound channel mixer. Video filters are generally useful and sensible ones, such as colour correction, deinterlacing, watermarking and noise reduction. New to the toolbox, however, is the fact that ProCoder now allows you to select an alternative audio file for movie encoding, rather than simply using the video file's own sound - a bonus for anyone who's in the habit of mixing sound in external audio editors.Īdvanced features at the target stage include trimming tools, by which tops and tails can be discarded without putting footage through an editing program first. If, for example, your source footage has been prepared with the wrong aspect ratio flag, this can be reassigned in ProCoder's source panel.

Source files are collected in a list in the Source panel, and can have their attributes examined and, in some cases, changed. The first sign of redevelopment comes when a clip is imported for encoding, as ProCoder 3 will now accept AVCHD footage, H.264 video and Dolby AC3 audio files as source media. As before, there are also buttons for the creation of watch folders and queues.